Filming the Aftermath: How Bucha Reshaped the Script
The first draft was a private grief. The reporting out of Bucha turned it into a public one — and forced a rewrite of almost every scene.
Read articleLong reads
Six long reads on how this film is actually being built.
The first draft was a private grief. The reporting out of Bucha turned it into a public one — and forced a rewrite of almost every scene.
Read articleA four-rule lighting grammar, a locked 40mm, and why the camera never moves until the second act.
Read articleTinnitus as a narrative device, the frequency of dread, and how a child's voice enters a mix without ever sounding supernatural.
Read articleAdapting a 108-page feature into fourteen minutes is not a compromise. It is the cheapest possible way to be proven wrong.
Read articleTwo jurisdictions, three currencies, one shared drive. A practical account of building a cross-border crew without a studio behind you.
Read articleIntimacy coordination, closed sets, the right to stop, and the protocols we adopted before a single frame was shot.
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We write these when something is actually decided — which is not on a publishing schedule.